Interviews

Esquire

Why Skinamarink Scares You Shitless, According to the Man Who Made It

How Bones and All Pulled Off Its Bizarro Love Story

The Daily Beast

‘Infinity Pool’: The Making of a Hedonistic, NSFW Mindf*ck

Thrillist

Inside the Eerie UFO Design for Jordan Peele's 'Nope'

David Cronenberg's Strange Proposal

'We're All Going to the World's Fair' Has Its Roots in the Deep, Dark Internet

Psychedelic Anime and the Beatles Inspired 'Everything Everywhere All at Once'

'Memoria' Director Apichatpong Weerasethakul Is Haunted by Sound

How to Train Your Cockroach, According to the Insect Wrangler on 'Saint Maud'

Jonah Hill Hates Pepsi, but Didn't Mind That I Interviewed Him From a Bathroom

Vanity Fair

Inside the Visual Effects of Avatar: The Way of Water: “Water Is Both a Blessing and a Curse”

Carnival Row Returns, Gritty and Magical as Ever

A Ghost Story: How Sheet-Covered Casey Affleck Became Summer’s Most Haunting Hero

Of Apes and Men: Motion-Capture Star Terry Notary on Going Human

Sweden’s Submission for Best Foreign Film Tests the Social Contract

A Cinematic Universe Built Around Time Travel, Lovecraftian Horror, and a U.F.O. Death Cult

That Horrific Hereditary Scene Is Director Ari Aster’s Favorite

What Makes Hotel Artemis “a Movie That Exists Despite the World Around It”

Uproxx

‘The Old Man & The Gun’ Director David Lowery Is Still Floored That Robert Redford Wanted To Work With Him

‘Papillion’ Star Charlie Hunnam Just Wants To Do Good Work With People He Admires And Respects

‘Jurassic World: Fallen Kingdom’ Director J.A. Bayona Believes The Jurassic Story Is Still Relevant In Today’s World

Film

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